Wednesday, May 31, 2017

A Third Wave





















Trying to work some bugs out of the system and so far this has been the best result. I'm going to give it at least one more try. This piece is about 24" by 40". Meanwhile I have got a couple of nice figure paintings done as well as putting in several hours on getting the "Beachwork" back together after several disassembling events at the hands of Mother Nature. The lake is really high right now and combined with the absence of a beach, the shoreline is only about 6 feet from the stonework. therefore every puff of wind strong enough to make a wave imperils my efforts. Hopefully the beach fairy will make a deposit soon.

Tuesday, April 4, 2017

Turner's and Hokusai's Love Children


Playing around with some wave images. Color and atmospheric effects...Didn't quite turn out the way I wanted, but third time...who knows. The colors looked better while I was working and then all of the sudden they decided to get rebellious. I will give it one more try before moving on.













Friday, March 24, 2017

Vermeer's Studio


For the last several months I've been working with the figure after a long time away. Kris Risto and Deb Sementelli have been bringing models in for figure sessions. It has been great to get back to it, but grueling work. Three hours of drawing and painting broken only by an occasional swig of beer. Kris has organized a couple of little shows of sketches at a little local gallery, but I have been working a few of the sketches up into finished works of which this is the most ambitious. One day the model was lit in a fashion that reminded me of Vermeer's light so I got the idea to work the figure into Vermeer's studio. I like the result. the color is keyed up a bit, but I don't think it is bad...it works actually. I had to reverse the model's direction and I turned the map into a blackboard, like the one in the studio where we work. I changed the artist's figure to me, but I tried to keep the shirt design. Everything else I tried to stay faithful to. Copying masterworks has a long history as a training method and each time I have done it I've experienced revelations. This time I was struck by the sophistication of the composition. Vermeer's tight construction of form and color holds together like a fine clockwork. I tried moving a few things around and it was immediately clear that the original location was the better one. A symphony without a note out of place. 




Thursday, February 23, 2017

Planetscapes


I was at an opening of a former student, Theresa Musatto, at a small gallery in town that is no longer exhibiting,the Urarro. She is a grad of MICA's painting program and the work was wonderful. While talking with her about her work the conversation led to challenges of working in a non-representational vein, which I don't often dabble in, but after the conversation I went home with the intention of focusing on some non-representational exercises. These four works were the result. Inspired by images from planets from NASA, I just tried to divorce myself from subject matter as much as possible and just let color and texture drive the image.


The above was the first to be done and I was working with various violets and maroons and trying to suggest heat, but the cold heat of space. I was thinking in terms of a transit across the face of a sun. Not being able to completely escape some form of representation, I guess.


The second one was the least successful from an expectations standpoint, but I like the lower right hand corner portion and some other bits and pieces. Composition didn't quite pan out the way I had planned.


This was all about green and unfortunately a gas giant kept trying to force my hand and then while I wasn't looking that big Jovian orange spot shows up...what the H.


 This was the piece that I ended up being the most pleased with despite it being the most representational of the bunch really. It just had a nice feel to it, literally. The last of the project for now, but it is just the beginning of setting free the bears...maybe.








Friday, February 10, 2017

One Problem Solved

Alright, one problem solved. I've figured out how to get back on my blog. To celebrate I'm putting this painting on. It is from January. A landscape experiment, 24" x 30", that evolved out of reading a monograph on Turner and I like the end result. I will try to get more recent works posted following the past year of neglect. I'm also working on another landscape type piece.

The problem that didn't get solved is that Trump is still the president. I keep waiting for the day when he goes a whole 24 hours without saying or doing something really, really stupid. Three weeks in and no sign of a break. I'm sorry world.

Wednesday, January 25, 2017

Trying to get back.

I am trying to figure out why my blog won't let me make post from my laptop, but appears to allow me to post from my iPad. This is just a test run. It keeps sending me to a place that doesn't let me post. So we'll see if this works.

 We have now begun our descent into Trumpworld, where facts aren't facts, but alternative facts are. Where an environmentalist can deny climate change and the greatest backer of the CIA likens them to     Nazis. It will be a dark descent and folly will likely pile on folly like Ossa on Pelion. He is not my president, nor will he ever be. He might be our president, but he is not mine. And as far as the people who voted for him, how you can justify voting for a sexual predator, I cannot fathom, but I feel sorry for your wives, sisters and daughters, and if you are a woman who voted for him, you are an embarrassment to your gender.

Wednesday, February 17, 2016

Lengthening of Days

 
We are climbing out of the pit of Winter. The sun waits around longer and longer each day before painting the sky orange and the birds are doing more than just clearing their throats. However...
 


...things have been pretty much locked up on the beach over the last month, so work has been minimal and mostly limited to moving some stone into caches. I did make one large painting, so the month wasn't a total wash. It is a 48" by 30" continuation of some of the smaller explorations of earlier this year. I like the result. Zebra mussels, leaves, pebbles, sticks and sand that regularly migrate onto the beach and then off again. Warm earth tones and Northern European business of space and composition. I think it will be my Spring show piece.